Burlesque Poster Design

The Visual Resources Center has cataloged 25 images from Burlesque Poster Design: The Art of Tease. These are available to the SCAD community in the Digital Image Database with an active MySCAD log-in.

Images clockwise from top-left:

Toulouse-Latrec, Henri de. (1891). Moulin Rouge. Color Lithograph.

(c.1950s). Lady Godiva and Her Strip-tease Horse. Show Board.

Barr, Glenn. (2006). Dirty Show. Poster.

Mister Reusch. (2007). The Ghastly Ones with Black Cat Burlesque. Poster.

Josef Müller-Brockmann

By exposing the essential character of a design, Müller-Brockmann’s life work was directed toward revealing the objective determinants of each visual message. He achieved this by examining all of the key elements involved in the design process, reducing each one of them to their fundamental nature. (Purcell, 8 )

The VRC has cataloged 24 images from Josef Müller-Brockmann. These images are available to the SCAD community in the Digital Image Database with an active MySCAD log-in.

Images clockwise from top-left:

Müller-Brockmann, Josef. (1948). Caligula. Poster.

Müller-Brockmann, Josef. (1953). Das Plakat. Poster.

Müller-Brockmann, Josef. (1971). Neue Züricher Zeitung. Global Poster.

Müller-Brockmann, Josef. (1958). Zurich Tonhalle, Musica Viva. Poster.

History of the Poster

The VRC has cataloged 23 images from History of the Poster. These images are available to the SCAD community in the Digital Image Database with an active MySCAD log-in.

Images clockwise from top-left:

Morach, Otto. (1926). Tourist Poster. Lithography. 90.3 x 127.9 cm.

Brattinga, Pieter. (1960). Exhibition Poster. Offset printing experiment in over-printing. 47.8 x 69.7 cm.

Stoecklin, Niklaus. (1937). Poster for Throat Tablets. Lino cut. 91.7 x 128 cm.

Matter, Herbert. (1934). Tourist Poster. Intaglio, multi-colored photo montage. 64 x 102 cm.

The Greatest Album Covers of All Time

The VRC has cataloged 19 images from The Greatest Album Covers of All Time. These are available to the SCAD community in the Digital Image Database with an active MySCAD log-in.

Images clockwise from top-left:

Harvey, William S. (1967). Strange Days – The Doors. Album cover.

Philo, Duffy and Celia. (1972). Aladdin Sane – David Bowie. Album cover.

Olivia. (2004). America’s Sweetheart – Hole. Album cover.

Jaw, Dead. (1983). Off the Bone – The Cramps. Album cover.

Jim Phillips

The VRC has added 21 examples of Jim Phillips’ graphic design work to the Digital Image Database from Surf Skate & Rock Art of Jim Phillips. These images are available to the SCAD community with an active MySCAD log-in.

Images clockwise from top-left:

Phillips, Jim. (1967). The Doors. 8 x 10 inches.

Phillips, Jim. (1989). The Skull Deck. Skateboard.

Phillips, Jim. (1996). George Clinton & P-Funk Allstars. 13 x 19 1/2 inches.

Phillips, Jim. (1998). Roskopp #5. Skateboard.

Art of Modern Rock: The Poster Explosion

The VRC has cataloged 20 posters from The Art of Modern Rock: The Poster Explosion. These images are available in the Digital Image Database for the SCAD community with an active MySCAD log-in.

Images clockwise from top-left:

King, Mike. (2002). Nick Cave and the Bad Seeds. Silkscreen. 12 x 25 inches.

Sperry, Chuck. (2003). Joe Strummer Tribute Concert. Silkscreen. 15 x 25 inches.

Jones, Rob. (2003). The White Stripes. Silkscreen. 13 x 26 inches.

Tuten, Randy. (1999). Tom Waits. Offset. 13 x 19 inches.

 

Jay Ryan

Jay Ryan is a print maker that works primarily for the music industry. He has made concert and show posters for the likes of Andrew Bird, Ben Harper, Fugazi, Guided by Voices, Interpol, and Sonic Youth to name a few. For those interested in graphic design and printmaking, Jay Ryan is an excellent example of a successful artist.

The Visual Resources Center has cataloged 18 images from 100 Posters, 134 Squirrels. These are available to the SCAD community in the Digital Image Database with an active MySCAD log-in.

Images clockwise from top-left:

Ryan, Jay. (2000). The Flaming Lips/Hum. 7 screens. 19 x 25 inches.

Ryan, Jay. (1997). Stereolab. 8 screens. 17 x 21 inches.

Ryan, Jay. (2005). Queens of the Stone Age. 2 screens. 19 x 25 inches.

Ryan, Jay. (2004). Guided by Voices “Final Show”. 8 screens. 19 x 25 inches.